AI Art Newsletter - 17 Jan 2025
AI Art Newsletter - January 17, 2025
Artist Finds Creative Value in AI’s Imperfections
Charlie Engman takes an unconventional approach by focusing on AI’s mistakes rather than its successes, challenging the typical aesthetics associated with AI art in internet culture. His work offers a fresh perspective that values imperfections as creative opportunities. Read more
Netflix’s AI Art Controversy Continues
Netflix faces renewed criticism over its use of AI-generated content, particularly regarding AI-upscaled images in a true crime documentary and AI-expanded artwork for Arcane Season 2. The controversy highlights ongoing tensions between traditional artistic practices and AI-assisted content creation. Read more
Adobe Announces “Controls Era” for AI Art
Adobe’s VP of Generative AI and Sensei, Alexandru Costin, hints at upcoming developments in 2025, potentially addressing the gap between traditional digital artists and AI art creators. Read more
Launch of Dedicated AI Art Print Magazine
A significant milestone in AI art recognition, “The AI Art Magazine” debuts with its first issue featuring 50 curated works selected through a juried process. The publication aims to establish critical standards and formal recognition in the AI art space. Read more
Upcoming Competitions & Exhibitions
AI-ARTS Competition (3rd Edition)
Date: September 13, 2024
- 1 Winner and 4 Second-Place positions
- Permanent exhibition feature for selected artists
- Platform for portfolio exposure Learn more
Digital Renaissance Exhibition 2024
- Traveling show format
- Competitive selection process
- Opportunities for career exposure and networking Learn more
ML in PL AI Art Festival 2024
Theme: “The Future Will Be Better Tomorrow”
- Focus on AI as an artistic tool
- Exploration of future AI technology perspectives
- Platform for both artistic and technological innovation Learn more
The SOLO AI AWARD
- Global participation (18+)
- Cash prizes
- Exhibition opportunities
- Focus on digital and new media art Learn more
ARS ARTIFICIALIS AI Art Exhibition
Location: Bristol Art Gallery, Bristol
- Accepts both DIY and commercial AI art tools
- Gallery exhibition and contest format Learn more
AI Challenge Day 2025
AI Challenge Day 2025 announced: The annual ART-AI ‘AI Challenge Day’ is scheduled for January 20, 2025, in Bath, UK. This event will bring together students and industry professionals to discuss AI challenges and foster collaboration in AI research5. Learn more
AI Artists News
AI-Generated Art in Thai Rice Fields
In northern Thailand, farmer Tanyapong Jaikham transformed over two hectares of rice fields into vibrant artworks depicting a red dragon, a feline deity, and various animals. Utilizing artificial intelligence for design and GPS technology for precise planting, this initiative commemorates the September floods and has attracted thousands of visitors since its inauguration in December.
Refik Anadol
A new world-class AI museum is coming to Los Angeles, with Refik Anadol playing a key role. The Turkish-born artist and professor is helping shape the institutional recognition of AI art, positioning AI not just as a technological tool but as a medium for creating beauty. This represents a significant milestone for AI art’s legitimacy in traditional art institutions.
Sougwen Chung
Recognized as “one of the most compelling artists working with artificial intelligence,” Chung continues to push boundaries in the AI art space. Her pioneering work has garnered significant attention in early 2025, cementing her position as a leading figure in the intersection of robotics and artistic practice.
Stephanie Dinkins
The acclaimed transmedia artist is featured in an upcoming Provost’s Spotlight Talk at Stony Brook University, where she holds the position of Kusama endowed chair in art. The October 22nd talk will explore the intersection of AI and art, highlighting Dinkins’ innovative work in the field.
Mario Klingemann & Botto
Klingemann’s project “Botto” continues to make waves in the AI art world, generating and selling art through blockchain technology. Described as an “inverse cyborg,” Botto has earned over $5 million since its 2021 launch, demonstrating the growing market acceptance of AI-generated art. The project explores fundamental questions about machine autonomy in artistic creation.
Trevor Paglen
| Paglen’s latest work “CLOUD #557 | Hough Line Transform; Hough Circle Transform” (2023) is featured in Aperture magazine’s Winter 2024 issue. The piece explores the intersection of cloud imagery with computer vision algorithms, continuing Paglen’s investigation of technology’s impact on society. |
Dr. Joy Buolamwini
While not primarily an AI artist, Buolamwini’s work through the Algorithmic Justice League continues to influence the intersection of technology, ethics, and artistic expression. Her groundbreaking research exposing bias in AI facial recognition systems has sparked important conversations about algorithmic justice.
Recent LinkedIn Updates
weidi Z.’s Post
The author shared their experience presenting artwork at Harvard University’s Conflux Residency program, acknowledging an invitation from designer/artist Yetong Xin. This is a professional update about an academic/artistic presentation. No specific date was provided in the post content, and no URLs were included.
Daria Jelonek’s Post
An interactive art installation called “Meditative Cohabitation” opened at silent green x transmediale in Berlin on January 9th, attracting over 1,000 visitors. The artwork uses machine learning and bioacoustic sensors to detect animal sounds, which influence the visual display based on 3D scans of a Brussels biotope. When animal sounds are detected, the display shows organic forms; when human noise is detected, it shifts to architectural shapes. The exhibition is part of “Unnatural Encounters” and runs until January 19th. The project was funded by European Media Art Platform (EMAP) and explores how technology can bridge communication with non-human species.
Victor Riparbelli’s Post
The CEO of Synthesia discusses the UK’s potential as an AI superpower, highlighting Prime Minister’s support through the AI Opportunities Action Plan. He explains why the UK is ideal for tech companies, citing advantages like available AI talent, capital markets, and less restrictive regulations compared to the EU. The post also teases upcoming company news. This is a relevant industry insight about AI development and business environment in the UK, shared from a credible source in the field. While it mentions his company, the post’s primary focus is on broader industry analysis rather than direct promotion.
Asra Aslam, PhD’s Post
Dr. Asra Aslam announces her new role as Assistant Professor of Data Science and AI at the University of Sheffield starting in 2024. She shares her 2024 achievements including:
Libby Heaney’s Post
Artist Libby Heaney announces her print “Ent-er the Quantum Cyborg” will be exhibited at Art SG Booth BC12 with Gazelli Art House in Singapore. While she won’t attend in person, she encourages Singapore-based connections to visit her colleagues at the booth. More information available at: https://lnkd.in/ePjhZaTY
Leslie Nooteboom’s Post
A UK-based AI startup founder shares positive feedback about the UK government’s new AI Action Plan, specifically praising its principle of supporting innovators. The author expresses hope that this initiative will help retain AI entrepreneurs in the UK, rather than losing them to the US market. They share their perspective based on nearly a decade of experience in the AI startup space. The post includes a link to more information about the plan: https://lnkd.in/e8agy7-T. The commentary appears genuine and provides relevant insights into UK’s AI policy development and its potential impact on the startup ecosystem.
Luba Elliott’s Post
Luba Elliott announces that Lida Zacharopoulou’s artwork “Digital No Man’s” was selected as one of three prize-winning pieces at CVPR 2024. The artwork explores low-resolution synthetic creatures struggling with authenticity in an era of AI-generated imagery. The piece can be viewed at: https://lnkd.in/efeT2mPN. The post is informative about AI art developments and shares recognition of creative work in the field of computer vision.
Hui Chan’s Post
Hui Chan announces their new role as Principal at PAI Partners in London, UK, joining their UK team and expresses interest in professional reconnection. This is a standard professional update about a career move.
Eirini Malliaraki’s Post
Eirini Malliaraki announces her career transition from Deep Science Ventures (DSV) after three years to Renaissance Philanthropy, where she’ll lead R&D translation efforts. At DSV, she helped develop 15+ deep tech ventures and created AI systems for innovation. In her new role with Renaissance Philanthropy, she’ll focus on the UK Horizons programme with Advanced Research + Invention Agency (ARIA), particularly addressing climate emergency solutions. She invites connections from those working on large-scale R&D programs or transformative deep tech initiatives, especially in areas overlooked by traditional funding. The post is professional and informative about her career move while maintaining networking opportunities in her field.
Lida Zacharopoulou’s Post
Lida Zacharopoulou shares her achievement of winning the Best Artwork Prize at CVPR 2024 (IEEE’s Computer Vision and Pattern Recognition Conference) in Seattle for her work “Digital No Man’s,” an AI-created animated film about AI. The piece explores AI transparency and technological inequalities. She highlights her 2024 accomplishments including leading an AI workshop in Sofia, participating in European exhibitions, and continuing her data analytics work. The post concludes with gratitude to her supporters and anticipation for future work combining art, data, and technology in 2025. The content is relevant to professional achievements and industry contributions in the AI art space.
Nathan Benaich’s Post
Nathan Benaich reflects on the UK’s AI landscape, questioning why the country hasn’t produced major AI companies comparable to OpenAI, Anthropic, or Mistral despite its strong talent pool and research capabilities. He expresses concern about the delayed government policy response in AI but shows optimism about potential government initiatives over the next 5 years. The post highlights the gap between the UK’s AI potential and its current position in the global AI race while maintaining a forward-looking perspective on future opportunities.
Oonagh Murphy’s Post
Personal observation sharing positive impressions of Antwerp, Belgium, highlighting its creative atmosphere and startup ecosystem. This appears to be a genuine firsthand experience post expressing appreciation for the city’s business and creative environment.
Julia Tian’s Post
Julia Tian announces the 2025 Adobe Creative Residents program cohort, welcoming three new residents (Jessica Starns, Ciara Neufeldt, and Michael Akuagwu) to a collaboration between Adobe, V&A, and MoMA. This marks the 2nd cohort for the V&A and MoMA partnership, while the overall Adobe Creative Residency program celebrates its 10th anniversary, having started in 2015. The residency runs for 12 months and aims to support emerging artists in creating positive change in communities and contemporary art.
Elizabeth Galvin’s Post
Elizabeth Galvin announces the arrival of the second cohort for the Adobe Creative Residency program at the Victoria and Albert Museum (V&A). This appears to be a legitimate update about an educational/creative partnership between Adobe and the V&A museum. The post shares relevant professional information without being overtly promotional.
Zeeza Cole’s Post
Zeeza Cole announces her new role as Partner at Avid Ventures, a NYC-based fund investing in Pre-Seed to Series A companies in software and fintech. She highlights Avid’s investment approach of making initial small investments with follow-on potential. Cole acknowledges her previous 4+ years at Bain Capital Ventures and expresses gratitude to former colleagues. She can be contacted at [email protected] for future opportunities. This is a career transition announcement that provides relevant professional information and contact details.
Payal Arora’s Post
Payal Arora announces her upcoming speaking engagement at Future Days conference in Lisbon, Portugal. The event features notable speakers including Forbes 30under30 designer Inês Ayer, UNESCO Chair Sohail Inayatullah, and experts from MIT, Royal College of Art, and other institutions. The conference focuses on action-oriented projects and initiatives targeting multiple generations. Event details and tickets are available at:
Cailean Osborne’s Post
Speaker announcement for European Open Source Academy’s first webinar focusing on open source AI in Europe and policy discussion. Event details: January 15th, 2025 at 14:00 CET via Zoom. Registration available at: https://lnkd.in/dmaC3s6N. While promotional in nature, this appears to be an educational/professional event relevant to the open source and AI communities.
Payal Arora’s Post
Payal Arora shares her appreciation for being featured in the Dutch newspaper de Volkskrant, thanking journalist Simoon Hermus for capturing her perspective and photographer Eva Roefs for the photos. She mentions this comes as she approaches her 50th birthday and tags affiliated institutions including Utrecht University. This appears to be a personal/professional update highlighting media coverage in a major Dutch publication. The post shows engagement with both academic and public audiences while maintaining a personal touch.
World Economic Forum’s Post
The World Economic Forum discusses the intersection of art and AI at #WEF25 in Davos. The post highlights an upcoming exhibition featuring artists Cristina “Mitty” Mittermeier and Sougwen Chung, who will explore how human creativity and intuition remain valuable as AI becomes more capable of generating creative works. More details available in Joseph Fowler’s article at https://lnkd.in/gZc6EB3k. The post raises important questions about the future balance between AI capabilities and human artistic expression.
India Science Festival’s Post
Announcement of a fireside chat featuring Prof. Payal Arora and Laura Herman, moderated by Dr. Krishna Ravi Srinivas, focusing on AI literacy, fairness, and diversity. The discussion will address AI awareness gaps, equity in AI systems, and bias challenges. Event details: January 11-12, 2025, at Fergusson College, Pune. Registration available at https://lnkd.in/gVuAKVET
Inclusive AI Lab’s Post
The Inclusive AI Lab announces their participation in the India Science Festival in Pune, featuring co-founders Laura Herman and Payal Arora. The festival, with 20K participants, aligns with their mission of making AI accessible. Their AI co-lead Siddhi Gupta will conduct a Debiasing Data workshop. Interested parties can register at [https://lnkd.in/eyWArMa4]. The lab also invites people to sign up for their quarterly newsletter at [https://lnkd.in/eqC5rVdV]. The post mentions Utrecht University’s Faculty of Humanities and Centre for Global Challenges (UGlobe) as affiliated institutions. While promotional in nature, it provides valuable information about an upcoming public event and educational opportunities in AI.
Luba Elliott’s Post
Luba Elliott shares her review of a newly released technical book “Hands-On Generative AI with Transformers and Diffusion Models” by multiple authors including Omar Sanseviero, Pedro Cuenca, Apolinário Passos, and Jonathan Whitaker. While promotional in nature, it provides valuable context about the book’s content focusing on transformers and diffusion models. The post includes a personal touch with mentions of meeting one of the authors at a Glitch Art & AI residency and includes a purchase link: https://bit.ly/41DFdZH. The post is both informative about AI education resources and maintains authenticity through personal anecdotes and experiences.
Memo Akten’s Post
The post describes an art installation called “Superradiance” (https://superradiance.net) at Taikang Art Museum, Beijing, created by Memo Akten & Katie Peyton Hofstadter. The installation explores how humans connect with their environment and each other through movement and dance, utilizing the concept of “embodied simulation.” The artwork creates an immersive experience where invisible dancers and voices help viewers feel connected to their environment, suggesting that natural elements like forests and oceans are extensions of our bodies. The installation features music by Memo Akten (Chapter 1) and Rutger Zuydervelt (Chapter 2). The post is informative, providing both artistic and scientific context for the installation, while discussing how dance serves as a biotechnology for human connection and expression.
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